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DIY rap: That’s how Hopsin likes it

Rapper Hopsin is touring in support of his current album, “Pound Syndrome.”

Hopsin is more of a do-it-yourself type of musician.

In fact, it’s what he prefers. The 30-year-old rapper has always been in control of his music and with his latest album, “Pound Syndrome,” he says he’s put out some of his best music.

“It’s been a journey,” he says during a recent phone interview. “The tour now has been pretty fun and things are good.”

Hopsin likes to keep himself busy making music, which he’s done since he was about 17 years old. He’s released four full-length albums, and in 2007 he started his own record label, Funk Volume.

In developing “Pound Syndrome,” Hopsin spent two to three months building the album and putting everything together. Then another couple months were spent mixing the albums, which he had a heavy hand in.

“There’s a specific way I wanted all the instruments to stand out,” he says. “I’m learning the art form of mixing and I had a vision for the entire album. Being involved, I was able to get it the way I wanted.”

Over the course of four full-length albums, Hopsin’s writing process has remained the same. He usually comes up with ideas and begins to work on beats for the songs.

“I make all my own beats and create it off the idea that I had,” he says. “I’ve been producing for 15 years and I can pinpoint what’s in my brain when it comes to beats. The beats that make it into a song are the ones that excite me and lend itself to the idea that was created.”

Although he produced this album on his own, Hopsin says he’d work with another producer in the future.

“The only factor is that we’d have to be in the studio at the same time,” he says. “That’s the only way I’d work with another producer. We’d be together working at the same time so we can put together all of our ideas.”

A Very Mars Halloween: Breaking Down #HorrorCore

AllHipHop: It seems in the 90’s horrorcore music hit the scene with Flatliner and Gravediggaz and artists like Ganxta NIP and slowly developed into its own culture how have you seen it grow over the years?

You know I got into the scene as a fan. I would collect everything. I first heard Triple 6 from San Francisco and fell in love with it man. I was like oh shit! They are talking about the devil and shitting on gravesites! What the fuck is this? Then a little later somebody told me about a rapper who was awaiting trial for murder and rapping over the phone from jail. I got that X-Raided tape and bumped the shit out of him and Brotha Lynch Hung. Around 1994 everyone was doing their own thing on the different sides of the country. There was Esham and Insane Clown Posse in Detroit. NIP in Houston, Raided and Lynch in Sacramento, Insane Poetry in LA  and everyone slowly learned about each other. They all had names for what they were doing. Rip gut, psycho rap, Acid Rap, but when Flatlinerz coined what they were doing Horrorcore that was what they media recognized labeled what we all do the most. When that soundtrack for The Fear came out, most of those groups were on it and found out they weren’t alone. When Insane Clown Posse blew up, there is an entire sub culture built around the music. We have stuff like The Gathering Of The Juggles where fans by the thousands all come out to celebrate music like this where we all play together. We have our own lingo, functions, sayings and the fans are into just shit like this. Nobody realizes Insane Clown Posse has gold and platinum records. Brother Lynch has a god record. Its bigger than people think. It became a lifestyle. Our fans collect everything. You put out a CD, they buy two copies. One to keep, and one to play. There is so many artists out there now doing their thang like Twisted Insane, Kung Fu Vampire, Scum, Necro and everyone touring. Halloween we get attention, but for the rest of the year, we are running just as hard as anyone else “keeping it real”.

AllHipHop: What do you think about Insane Clown Posse and jugglaos being labeled as gang members?

See thats what people don’t understand. You have juggalos out there that submerse themselves into this so much they have tattoos, t-shirts, stickers on their cars, they hang out with kids just like them and they stick together because they have a common bond through music. They are into it like crazy and because they all hang out and have BBQ’s or gather by themselves its because they love this shit. But if one of them fucks up and does something stupid or illegal like sometimes teenagers do, they are gang members. But they are just fanatics. Its crazy that its never happened before. I’m glad they appealed and won because it was hurting people. People were getting records for petty things and couldn’t get jobs. Getting gang enhancements. For no reason but the fact they listen to this music and like it a lot. It was bullshit.

AllHipHop: It seems like when horrorcore fans do something crazy its a bigger deal than say if a Rick Ross fan does the same thing.

Oh yeah because it makes for a great story for these news outlets. Its a business. “Obsessed fan of serial killer rap music charged with murder” sounds way better than your normal street violence. People expect that. Nobody gives a fuck. It’s happened with Esham, and Insane Clown Posse, and Ganxsta NIP and Brotha Lynch, and it was a big deal because we’re talking all this crazy shit that we get questioned for it as artists. Which hey, I’m happy as fuck to go on TV and talk for how ever long they let me about anything. I need that. But they act as if they are shunning the music and the fans and shaking their finger at us when the camera is on but when they cut its smiles high fives and shit. It’s entertainment. They want you to watch their program.

AllHipHop: When you were on TV talking about horrorcore you didn’t seem to shy away from the controversy, you embraced it.

Yeah I mean it sucks that shit went down and thats what it took to get the genre some attention, but I was like fuck if you’re going to run a story then here I am to make sure its represented well. Plus I wore the mask. They ate that shit up. Its not like you’ll see me on MTV or in Rolling Stone and shit. You take something and you use it. Flip it on em. You’ll get other artists who’s publicist won’t comment. Who won’t return calls. Fuck that. Defend yourself. Show some compassion for the victims or what ever happened and make sure you rep your shit. Because if it ain’t you, it may be somebody else or nobody at all. I know everything about this shit. I know all the big artists, the pioneers of this, I know them as a fan and a friend, I know all the underground artists. I’m up on everything and the history of it all. I would like to think I do a decent job of bringing light to genre. I want to see everyone shine. They are trying to make us look bad by saying things like “its music that will shock you, they talk about murder… coming up next”. Then you will get a kid that flips through the channels sees that and learns about music like this that never knew it existed and bam, they get into it because they are into horror.

AllHipHop: You seem to have a traditional Bay Area sound but it has horror undertones. But when you see your photos, and imagery, for a person who don’t know who you are they probably think you would be way darker.

You know I do have songs like that too but I am a Bay Area artist first. I just make horror based music. I’m weird. Everyone does the Halloween sounding music when they get into it but I like that I can make a song about kidnapping and killing somebody but people can be singing along and slapping my shit in their car and not even realize like wait… I am a horrorcore artist. I do the wicked shit. But I’m an artist. I want to be able to rap about fucking chicks, not just raping them. I want to be able to put myself into my music and talk about real shit. I kind of do whatever I want. I have a fanbase that wants to see both sides of me. Sometimes I wear the mask on stage for shows. Sometimes I don’t. I want them to know me too. I mainly do music so I can get high and bump my own shit and be like yeah… thats tight. The fact other people listen to it is the shit. But I grew up on Mac Mall. I grew up on RBL Posse and Andre Nickatina. I love the sound they helped create out here. People don’t realize my DJ is E-40’s, Too $hort, Toni Nony Tone’, and Spice 1’s DJ. I record and get my production with the same producers and studios that they do. I just take the same kinds of beats and spit the wicked shit over them.

AllHipHop: It’s Halloween and you’ve been all over the place lately it seems, does things pick up heavy around this time for Horrorcore?

Oh fuck yeah. You got Insane Clown Posse doing Hallowicked, Twiztid doing Fright Fest, I’m playing Denvertonight for Hallowevil, Kung Fu Vampire’s doing Halloweird. It’s poppin around this time. Our fans come to the shows in masks and costumes or their face painted all year. So on Halloween? Everyone comes out looking crazy as fuck and celebrates. Its like family functions all over the country for our crowds. Its dope. Theirs horror conventions going on around this time and the music and the movies go together so events like Shockfest are bringing acts in every year. This should be the soundtrack to Halloween for rap fans.

AllHipHop: What do you have planned for the rest of the year?

Right now I’m about to release a single called “Creatures Of The Night” featuring Tech N9ne and Twiztid through one of my favorite clothing companies Mishka. They are releasing limited edition hard copies with two versions of the track and then were going to have a few release parties at their flagship stores so I can hang out with my supporters and party it up a little with the people that fuck with me the most. Chris Paxton who’s the drummer for Kung Fu Vampire did a remix with the full band featuring Kung Fu too that is so amazing. I can’t wait for people to hear it. I went and got Lisa Leuschner from American Idol in the studio with me for this one. She’s my favorite vocalist to work with. Killing shit. So I got that, Branfest in Reno with Twista and Twisted Insane on November 21st, Thanks Killing on the 17th, and I don’t know. I’m just trying to hit the road. I took a break for a while but I miss being out there meeting people. Performing. Its such a close knit down ass community we have here. Thats why people call each other family so much. What’s up fam? Its weird people found such joy through songs about mass murdering, suicide and the devil but hey… fuck it. That shits tight.

Madchild “Brain Dead” Video Premiere [Exclusive]

madchildbraindeadbanner

We’ve teamed up with rapper Madchild to bring you the exclusive music video premiere for “Brain Dead”, which comes from his album Silver Tongue Devil. The video shows Madchild performing in what looks like an abandoned and dilapidated house while cuts of zombie-esque women and violent scenes from movies and interspersed throughout. I don’t know if I’d say this is NSFW but there are definitely some gruesome moments, so I’d exercise some caution on where and when you’re watching this.

Madchild tells BD:

I love this time of year, but I’m always on tour on Halloween so I never have the chance to dress up in costume. I thought it would be cool to create a video with a horror world with a bunch of cool looking zombie chicks. I was in a fairly dark place in my life when I wrote this song and it came out with this slight suicidal overtone to it. Although I would never do anything like that, it was scary to be in that frame of mind at the time and wanted to express how I felt in a song. The song and video is the perfect for Halloween.

Silver Tongue Devil can be purchased via iTunes.

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Madchild online:
Facebook
Twitter
Instagram

Tour dates:
Oct 30 – Billings, MT @ Pub Station
Oct 31 – Bozeman, MT @ The Molly Brown
Nov 05 – Worcester, MA @ Palladium Upstairs
Nov 07 – Augusta, ME @ Shenanigan’s
Nov 15 – Mexico City, Mexico @ Carpa Astros
Nov 19 – Oakland, CA @ Grand Live at Venue Oakland
Nov 21 – West Hollywood, CA @ Viper Room
Dec 02 – Stuart, FL @ The Birdseye
Dec 03 – West Palm Beach, FL @ Propaganda
Dec 04 – Satellite Beach, FL @ Sports Page Live
Dec 05 – Saint Petersburg, FL @ State Theatre
Dec 06 – Miami, FL @ Churchill’s

Madchild Silver Tongue Devil

Bingx Added To Stevie Stone’s Malta Bend Tour & Releases Video For “In My Prayers”

Bingx Added To Stevie Stone’s Malta Bend Tour & Releases Video For “In My

Prayers”

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NEW ALBUM “W.O.R.D.S” AVAILABLE THIS FRIDAY ON CAVIGOLD RECORDS

Seattle, WA rapper/singer Bingx has been added to Stevie Stone from Strange Music’s

Malta Bend headlining tour. Bingx will join Stevie Stone on the road with support from

Yak Boy Fresh, and Yung Knowledge starting in Omaha on October 30th and running

through the end of the year. Bingx is set to release his debut album “W.O.R.D.S” this

Friday through CaviGold Records and all digital retailers.

Armed with a unique vocal style that gives him the versatility to deliver lightning fast

raps and sing infectious melodies, Bingx executes his music with fantastic precision and

focus. Inspired by some of the most renowned artists in the industry, Bingx takes

influence from Tech N9ne, 50 Cent, The Game, Bone Thugs ‘n’ Harmony, Third Eye

Blind, and Eminem. Bingx has been grinding his way through the ranks of the hip-hop

scene over the past two years playing shows with Fat Joe, and Kutt Calhoun, while

recording tracks with artists like Redman and Kurupt.

To celebrate the launch of his new album, Bingx has released his brand new video for

“In My Prayers” online at

 

 

 

Tour Dates:

10/30 – Omaha, NE – Slowdown

10/31 – Sioux Falls, SD – Bigs Sports Bar & Billiards

11/03 – Moline, IL – Rascals Live

11/05 – Topeka, KS – Eclipse Urban (18+)

11/06 – Colorado Springs, CO – The Black Sheep

11/07 – Denver, CO – The Roxy Theatre

11/08 – Fort Collins, CO – Hodi’s Half Note

11/10 – Missoula, MT – Monk’s Bar Missoula (18+)

11/11 Seattle, WA – Barboza (21+)

11/12 – Bellingham, WA – Wild Buffalo (21+)

11/13 – Sequim, WA – 7 Cedars Casino (21+)

11/14 – Albany, OR – Espolon Night Club

11/15 – Orangevale, CA – The Boardwalk

11/16 – Santa Cruz, CA – The Catalyst Club (16+)

11/17 – Lancaster, CA – Lancaster Moose Lodge

11/18 – Los Angeles, CA – Las Palmas Hollywood (18+)

11/19 – Las Vegas, NV – LVCS (21+)

11/21 – Phoenix, AZ – Joe’s Grotto

11/22 – Albuquerque, NM – Launchpad

11/24 – Springfield, MO – The Outland

11/25 – Sauget, IL – Pop’s Concert Venue

11/28 – Dallas, TX – Green Elephant

11/30 – Houston, TX – Scout Bar

12/03 – Jacksonville, FL – Underbelly

12/04 – Spartanburg, SC – GroundZero

12/05 – Virginia Beach, VA – Shaka’s Live

12/06 – Hagerstown, MD – Hard Times Cafe & Cue

12/10 – Hebron, OH – Beechridge Lounge (18+)

Facebook: www.facebook.com/bingxmusic206

Instagram: https://instagram.com/bingxmusic206

Twitter: https://twitter.com/bingxmusic

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ICP’s Shaggy 2 Dope: Why Juggalos Scare People

Mars‘s takeover of MCD continues! Here he sits down with Insane Clown Posse’s Shaggy 2 Dope to talk about Detroit, the Juggalo family, and what, if anything scares the godfather of horrorcore. Insane Clown Posse’s new album The Marvelous Missing Linkis in stores and on iTunes now and the band will be headlining their 21st annual Hallowicked Clown Show in Detroit October 31st at the Fillmore in Detroit, MI.

When I was growing up I embraced myself into the wicked $#!+. Some call it horrorcore. Crazy, insane lyrics, about taboo subjects. I listened to everything from The Flatlinerz to Ganxsta NIP, and Brotha Lynch Hung, to stuff like Triple six and X-Raided. I loved how it made me feel. I loved the novelty of the fact that they were talking about the Devil and murder and suicide. It was so much different than the stuff force-fed down my throat by your normal commercial radio and MTV programming.

I collected everything. But it wasn’t until I first heard Insane Clown Posse that I truly knew what it was that I wanted to do with my life. I used to buy everything they had out. I was working for magazines at a young age so I would always have Island Records send me big boxes of everything that they had to review. Test-pressing CDs, stuffed animals, promotional stands, everything. Then I would have all this cool $#!+, but also I was putting them in print in all these magazines I wrote for.  I have stuff you kids these days would go crazy for. I have their very first album on vinyl. There’s like only two left in the world. I had tapes with no barcode. Different re-presses. All kinds of $#!+. I had everything they put out.

When I was getting into music and being influenced by Brotha Lynch Hung I was a rapper. But everyone was a rapper. Insane Clown Posse made me want to stand out. I grew up with these guys’ posters on my wall. I am the type of person that if I’m into something, then I have to know everything about it. That’s why I’m so well versed in horrorcore. I was a fan first. It just so happens as an artist I rose through the ranks that I am friends with the same rappers I worshipped as a teen.

But in the world of horrorcore Insane Clown Posse are untouchable. They don’t !*(% with just anyone. They are not seen before or after shows really. You can’t slip in and give them demos unless you pull some ninja $#!+ and get lucky. They run a watertightass ship. So when my phone rang and Psychopathic Records asked me to be on their new compilation in 2008, I knew I had to stand out.

I  paid the best producer. I went and got a legendary vocalist on the hook. I had it mixed by a legendary engineer. I wanted them to know I was !*(%in’ serious. Everyone in horrorcore in the underground knows when you !*(% with ICP you are the $#!+. So when Violent J walked up to me at The Gathering Of The Juggalos and knew who I was, I was pretty excited. For him to pass me a joint and be like “What do you think about touring with us?” It was a pretty big deal to me.

It was about a few weeks later when their label called and asked me to leave October open. My son just turned one around that time and this was going to be his first Halloween. I looked at my baby momma and was like, “Look. I’m going to do this. Make sure you take this baby out and make sure he has a great Halloween. I think I’m about to do the Hallowicked tour.”

Instead they put me on the tour with their entire roster, and then at the last minute on the Hallowicked tour. This meant the world to me. Every night performing for thousands of diehard Juggalos just like myself. It was like the Mark Wahlberg movie Rock Star. Except I didn’t have to wear leather pants. I soaked so much game on that tour. I went home and never stopped riding the buzz that they helped create for me. I am forever grateful for that. Over the last year I went through a lot of $#!+. One of the people I reached out to for advice was Violent J. It was an honor that he is there to talk to when I needed words of encouragement. ICP are the kings of what we do in horrorcore. They helped put me on so when I got the opportunity to do this article I had to reach out and show love. This time I’m chopping it up with the other half of the group, Shaggy two Dope as they set the stage for their 21st annual Hallowicked clown show.

Mars: Shaggy motha!*(%in’ 2 Dope! Its Mars, man, what’s going on?

Shaggy 2 Dope: Oh, what up man! How you’ve been?

Mars: I’ve been good. I’m back on the scene trying to do big things again. You know I just caught your show in LA for the Missing Link tour. You and J are killing it as usual. Best time I’ve had in a long time, man. The first time I went to Detroit was to start my first big tour with your label Psychopathic Records. Walking around in the daytime out there it looks scary as !*(%. What was it like on Halloween as a kid trick or treating?

Shaggy 2 Dope: You know, I guess when you’re from there you don’t realize how !*(%ed up it is until you start traveling, you know what I’m saying? It was just normal $#!+ to us you know? Detroit is a really crazy place. They are trying to build it up but still the majority of the city is !*(%ed up. It’s crazy because like, if you’re from Detroit you talk $#!+ about it all the time but if you’re not from there and talk $#!+ about it? You don’t get a pass for that, you know what I’m sayin’?

You’ll end up !*(%in’ somebody up talking $#!+ about it. It’s just crazy like that. Detroit looks like a nuclear wasteland. I talk to people and they’re like yo, I’m moving to Detroit and I’m just like, why? There is really no attractions there. But I love my city. I !*(%in’ love it. But when you grow up in that environment its crazy so stuff like Halloween is just normal to us, but if you just moved here I can imagine it being scarier than normal because of the surroundings.

Mars: I love going to Detroit because I’m a photographer too. I shoot videos and stuff for people. DJ Clay from your label once took me around to South West Detroit and showed me Delray when we had a day off from tour and took me around to all the places you talk about in your music and just looking around, every inch of Detroit looks like an amazing photoshoot location. I’d go nuts out there with a camera.

Shaggy two Dope: Haha I know right? But being from Detroit you still try to find unique places to do shoots at. You don’t want to just take a picture on your block. You know a lot of people from Detroit do just take the you know, normal group photo on their block but we like to search out even more !*(%ed up places to do our photoshoots at in Detroit. Even though you can probably do a good one right out on your front porch.

Mars: Most people from other parts of the country don’t know about it but I do because working with and listening to your music and a lot of independent music from the D, but Detroit mostly looks like that because of Devil’s Night, the night before Halloween. How would you explain Devil’s Night to people who don’t know what it is?

Shaggy 2 Dope: Well yeah, I never even realized that Devil’s Night–until we started traveling–that nobody else had it. So I thought that was crazy. That nobody else had it. Basically the day before Halloween everyone comes out and burns the city down, you know what I’m sayin’? A lot of it’s for insurance and $#!+. People pay goons to go out and torch their business and $#!+. When that caught on, kids would just go out and set garages on fire and abandoned houses and they try to put a lock on it. It’s not as bad as it used to be back in the day with the neighborhood watches and $#!+ going around. Now they try to call it Angel’s Night which you know, really ain’t flying.

Mars: Yeah, that really doesn’t have the same ring to it…

Shaggy 2 Dope: The cool part about it–well, not the cool part, but the funny part is they have a crew of people going around the city volunteering with these little orange flashing lights to prevent the fires but then you got drug dealers on the block with the same lights out there slanging their $#!+ with the same lights so the cops don’t !*(% with them. So they would think they are part of the patrol.

Mars: Ha ha, thats great.

Shaggy 2 Dope: Detroit’s a hustler’s paradise.

Mars: Every year around this time Insane Clown Posse gets a lot of attention because of Halloween. It’s like you are the Elvira of the music world in a sense. Everyone makes sure to come to you.

Shaggy 2 Dope: I don’t know if I would say we were like Elvirabecause she is only poppin’ one time out of the year.

Mars: That and you guys don’t have big, big +!++!%$…

Shaggy 2 Dope: Well yeah, but I think we get it because were known as this big scary thing. It’s more accepted as opposed to, like, being out in July doing shows. This ain’t like a once a year gimmick for us, you know what I’m sayin’. This is what the !*(% we are. This is what we do all year round. We do Halloween everyday.

We do a Halloween show every year called Hallowicked in Detroit. It’s our big show of the year you know what I’m sayin’? Like the Gathering Of The Juggalos, but we’ve been doing the Hallowicked shows since way before the Gathering. So thats like our !*(%in’ night. We’ve been doing it so long that its a very special night for us. Sometimes we’ll do a whole week before Halloween in different cities.

But in Detroit, its not just the Juggalos from the Detroit area. Everyone from all over the country goes to our Hallowicked clown show on Halloween. Halloween night is always in Detroit and I would say about only 400-something people are actually from Detroit there.

DogBadge-Writers

Mars: People don’t realize how big of a draw you have at these shows. My first tour that I was ever on, was when you guys put me on the Hallowicked tour in 2008. The first show might have been at the Verizon Amphitheater and one moment we’re all playing basketball backstage, the next I walk through the curtain and theres a sold-out crowd of like 4,000 Juggalos. What do you think it is that draws such a dedicated fanbase to the Insane Clown Posse?

Shaggy 2 Dope: I think its just a family sense. It’s just the camaraderie between Juggalos. When we do a show it’s not just a show. It’s people getting together and !*(%ing hanging you know what I’m sayin’? If you’re a stranger or somebody else you automatically got something in common. It’s like meeting up with your homie even though you don’t know the motha!*(%a. I mean thats bottom line. It’s like Juggalos got love for Juggalos. It’s not like a !*(%in’ Eddie Money concert where people are coming out like “Excuse me, excuse me, excuse me” and pushing through the crowd to get your seat, nah, you’re like slapping hands like Teen Wolf walking down the hallway. You’re down with everybody even if you don’t know them.

Mars: What do you think it is about Juggalos that scare normal people? Why is everybody trippin’?

Shaggy 2 Dope: It’s just because of the media blowing it out of proportion. You know what I’m sayin? You have all these media outlets talon $#!+ going around saying Juggalos are bad people and this and that and now we are officially a gang. And it’s all bull$#!+. If anyone is scared of our scene, and they actually come out to one of our shows or the Gathering or whatever they would see that it’s bull$#!+. They could be the most straight laced stick up your ass mother!*(%er in the world, and they go to one of our shows they are going to see that nobody treats you like $#!+. Nobody !*(%s with you, you know what I’m sayin’? They could go to any Juggalo event, not even an ICP show. If you are there, then you are willing to be down.

Mars: For people who aren’t familiar with horrorcore, how would you explain to them exactly what it is that we do?

Shaggy 2 Dope: Its crazy because when the East Coast guys came out like the Flatlinerz and the Gravediggaz thats what the media called their stuff. But we were doing what we called the wicked $#!+ out here mad years before it was called that. The wicked $#!+, and basically Esham coined it, that term. That’s what we came up with it being called. We never thought of it being called horrorcore. It’s basically like a horror movie on a CD. So that’s basically how the whole everything being called horrorcore got started.

We still call it the wicked $#!+. Dark Carnival $#!+. Its just different than the whole “spending money, up in the club Bugatti” type of $#!+. It’s just us $#!+ting on people that need to be $#!+ on. Stabbing people instead of shooting people. It’s just an outlet for anger you know? Its just done in a different way than gangster $#!+.

Kung Fu Vampire’s Succeeding on His Own Terms

Mars‘s takes over MCD as of today! Cancel your Halloween plans because you’ve got nothing as scary as a typical day for his horror interview subjects. Against all safety concerns, he cornered Kung Fu Vampire in the studio recording his album Look Alive. After a miraculous escape, he reports that KFV will be headlining HalloweirdFestival Ocober 30th in Marysville, CA.
When I first met Kung Fu Vampire I was invited to join legendary Acid Rap and horrorcore godfather Esham’s Helluva Night Tour where KFV was the opening act. Working with Esham had always been a bucket list item for me for several years so I was excited to be able to tour the West Coast with him.

But it couldn’t have come at a worse time. I had like maybe 40 bucks to roll up to the first date. My homie J RZ was like “!*(% it! Let’s just go anyways!” We budgeted our alcohol intake very wisely. After all, we were going to play places like the Viper Room. We might be able to be the guys that overdose in Hollywood on their sidewalk and become legends. This was going to take careful planning.

I walked into the San Jose, CA venue where Kung Fu Vampire’s band was doing soundcheck for the first date of this particular leg of the tour and seen this dude with cello players, drummers, guitarists, singers, keyboard players. It wasn’t just a band; this dude had an entire orchestra. I was like “What the !*(%? What is this guy going to do up there?” To top it all off most of his band was made up of the hottest chicks ever.

 

When it was showtime, this dude came out in a robe with dark eyes, contacts, blades on his fingers and rocked the !*(% out of the show in with gothic-sounding opera hip hop music. It was so close to what horrorcore was doing image-wise, but the sound was funky, and almost positive party music. He got my attention right away. I also took advantage of the free beer backstage and left with $40 emergency drunk money. Score. I later found out it was his personal stash. Oops. My bad.

He was doing things plush as hell when we all were just trying to scrub it out on tour making it from date to date. He got everyone’s attention. Kung Fu Vampire was spitting gunfire-rapid verses, and had the presence of a mainstream artist in these little clubs we were playing.

I wanted to work with him. He was going to be the biggest thing in horrorcore if he would only went a little bit in that direction. So the next time I had the opportunity to tour, he was one of the first people I called. I immediately hopped in with his caravan and talked horrorcore with him the entire tour. He was super cool. Player $#!+.

We got along so good the first few days, I asked him to be a part of Mad Insanity Records with me. This was around the time all the Syko Sam murders. I took him to the news with me, and made sure he was on the follow up horrorcore segments. Horrorcore needed to see this guy overtime the genre was brought up.

When he got the bigger artists’ attention he hasn’t stopped touring since. He’s shared the stage with every big artist in our circle around the continent. In horrorcore, he is a haunted household name. But he never changed his sound. Everyone loves him anyways. Dope don’t need a title. Dope sells itself. But really this dude is one of my best friends. !*(% the music $#!+. The first interview in my take over for Man Cave Daily is with Kung Fu Vampire.

Kiss him carefully, ladies.

Mars: Halloween is right around the corner. What do you have planned this year?

KFV: On Devil’s Night I’m headlining the third Annual Halloweird Festival in Marysville, CA and on Halloween Night, I’m throwing a small party for all my friends and family that have kids. Naturally, Halloween is my four-year-old daughter’s favorite holiday!

Mars: What does your daughter think of her daddy being a vampire every other day of the year for a job?

KFV: She wants me to call her “Lil’ Kung Fu” and already has plans to become the next Kung Fu Vampire. She’s faced her fears and stared the dark side directly in the face and embraced the balance between Good and Evil.

Mars: Coming from San Jose, with all these artists trying to make it being gangster rappers, do you think it pisses everyone off trying to “keep it real” and keep it hood while Kung Fu Vampire is the biggest band or rapper from their city and totally doesn’t try to do that?

https://youtu.be/n_f2bTqkB_g

 

KFV: It’s kinda a different reaction than that. At first people tried to pass me off as too alternative or “doing his own thing” instead of hip hop. This way they didn’t feel like they were competing with something that was clearly “more honed” than what they were doing. Truthfully we were way ahead of our time and it was obvious. In a “tough to break out of” city like San Jose, I was able to be one of the few that gets the respect earned and deserved. At this point I feel that Kung Fu Vampire is an undeniable force and The Zae is behind us.

Mars: What is your opinion on hip hop and rap of today?

KFV: Nothing is missing but the emphasis of what is hot is in the wrong place. There is so much great hip hop out there but people do not know how to find it. A majority of what is fed to the masses is subpar, easy to digest garbage. A popularity contest.

Mars: You are often labeled as horrorcore, but you call your music gothic hip hop. What do you think the biggest difference is between the two?

KFV: I actually just call our music hip hop. I have pulled zero influence from the horrorcore sub-genre despite being one of the genre’s most notable artists. Originally I thought our music was different enough that it needed its own name like “Gothic hip hop” but as I grew wiser I realized Kung Fu Vampire is music, no genre just an evolutionary entity free-floating through any style he would like while keeping it hip hop.

Mars: Your Love Bites album has so many styles, yet still has the signature Kung Fu Vampire sound. If somebody was going to listen to a KFV song on Halloween, what would you say would be the one to listen to?

KFV: “Abra Cadaver” off of the album Blood Bath Beyond is dark and aggressive. “Transactions” off of the album Dead Sexy is spooky and gangsta, bringing out my Bay Area roots. “Dead Girls Don’t Say No” is silly to me but fun and def. should be bumping loud at every Halloween Party this year.

Proof that being true to yourself works.

Mars: I remember pulling up to your house, and there was a wrapped KFV SUV, two wrapped trailers, a 15′ passenger van, and a tour bus parked out front. What do your neighbors think? Are kids allowed to play on your side of the street?

KFV: I’m the strange guy and youngest guy on the block. Everyone says hi to me and in my heart I know behind the smile they are giving me as they walk by with their labrador they are thinking “I’ve seen your videos young man and you are !*(%ing evil.”

Mars: Yeah, !*(% them. Once the alternative hip-hop market got wind of you, you blew up pretty fast. What do you think the formula for your growing success is?

KFV: My formula, straight up is not giving two $#!+s what the consumer wants and just doing what I think is cool music and expresses what I want to express. People gravitate towards stuff like that and you build a deep connection with the supporters/fans and they build the same with you. My music is all over the place, like my personality.

Mars: I know around this time it gets busy for the more established artist of this type. What kind of events do you have coming up after Halloween if people want to go to your show and check the $#!+ out?

KFV: Halloween is a busy time but we keep the momentum going all year long. November 21st I’ll be in Reno, NV for Brainfest. Then on November 27th and 28th I’ll be doing headlining shows in both Bakersfield and Fresno.

Follow him online:

Twitter
Instagram
Facebook
YouTube
Official site

 

Q&A With UNDERGROUND WICKED RADIO

 

UNDERGROUND WICKED RADIO ever heard it? Me either till my personal favorite new on the scene Duo Cemetery High informed me of their upcoming interview with them. So naturally I tuned in for the hour. I was impressed with the show despite a couple of technical difficulties (which have since been fixed). Besides the good questions asked and the attention paid to the artist, their overall personalities were awesome. They are a group of down to earth ninjas who like to have a down ass time.

I was invited last weekend to be a call-in guest interviewer to re-interview Cemetery High. I jumped on that shit!  I may have only been able to join in for the last 20 mins but I had such a great time I thought I would  share them with you. So I decided to interview the interviewers. And here are their fresh answers!

DJ.SNICKERZ-Head Ninja at UNDERGROUND WICKED RADIO

 385 Pixels by 240 Pixels.

1. Who is Dj. Snickerz? Djsnickerz is an underground Dj that has been djing for 6 and a half
years. Playing only new horrorcore and underground rappers.
I started underground wicked radio 5 years ago, ran it for about a year didn’t have the right
equipment at the time to run the radio the way it should have been ran. So I stuck to underground djing
for other underground radios,like my420girls,wickednation,musernation.I have watched alot of underground radios fail by charging artist to be on their radio. Charging artist to be interview. So i started underground wicked radio back up 6 months ago, I am here to help out underground artist get more fans and to get heard everywhere. I have people tunning in almost every state in the united states including Canada..

2. What has been your driving force and goals to owning/running your own radio station? Before I start this question I do need to shout out my ICP I wouldn’t even be doing any of this and there wouldn’t be horrorcore or alot of the underground artist there is. Just me growing has be driving me having artist i have look up to for years now looking up to me for what I am doing for the underground. My goal is to be known by everyone in the underground. I am taking over the underground one day at a time.

3. List some of the artists who have been on your show and who was your favorite? By far so far Sicktanick I have made respect for Molly Gruesome love her music. Savage Daffy his music makes me laugh every time I hear it, the Maddhatter cd fucking love it. But i can’t really say I have a favorite because there all my favorite so far in the underground doing their own thing.

4. What do you feel is the best thing happening in the underground music world right now? Radios like mine bringing in all new artist so people will find out about them and so underground artist can find out about other artist. I am always hooking up artist to get on songs with each other and my radio has got two artist on to a label shit like that make what I am doing worth it I am here just to help them…….

5. What do you feel is the worst thing happening in the underground music world right now? Dum ass artist getting 4,000 views then think they are got shit and there shit don’t stink. I have come across alot of artist this way and will never have air time on my radio…..Only artist helping other artist will be on my radio….

6. What is it like being a Dj.? Being a underground dj is the shit I have homies every where,and people every where know who I am not to mention the new music I get to hear before any one does,whenever an artist that has been on my radio or as music in rotation they give me the new songs to check out before anyone that is fucking dope…I have to give a big shout out to my homie
EZ Sixosix I have had some haters harass me to the point I have almost shut my radio down and thanks to him I am here and  still growing strong like he says fuck the haters they only want what i have and EZ SixOsix is a underground rapper i swear he knows everyone……Whoop whoop fam Djsnickerz out.

http://djsnickerz.listen2myradio.com/ or go to google store or any app store and look up listen2myradio all one word download the app and just type in djsnickerz…….

DJ Snickerz FaceBook

DJ.CROOK-CO-HOST Ninja at UNDERGROUND WICKED RADIO

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1. Who is DJ CROOK? Dj Crook is a HorrorCore artist from the streets of New York, I been in to UnderGround Music for 15+years , I DJ alot in the past and enjoyed the music so then I began to be  a Dj on UnderGround Wicked Radio.

2. How long have you be a DJ on UNDRGROUND WICKED RADIO? I have only been A Dj on UnderGround Wicked Radio about Month.

3. What’s it like being a co-host on the show? I just enjoy the input and reflection of the new and older artist talent finding out things about your favorite artist that you never knew, it’s more of a way to form the connection with the artist and fans.

4. Who has been your favorite artist to interview? Delima,BrimStone Lab, Eyelezz, 2Whoops, all of them honestly and looking forward to all the interviews.

5. What do you feel about your radio station best fulfills the wants ans needs of the Fam? It’s a well based Radio Station and with connections and communication networking , and proper promotion anything is possible for a widely spread response ,we will influence the UnderGround and then heard.

6. Superman or Batman? BatMan!

ILLUSIONIZT-UNDERGROUND ARTIST SPECIAL GUEST HOST

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1.Who is Illusionizt? I am a rapper who is not just inspired by horror & the paranormal but by the desire to help people to see that life is too short to be miserable all the time. Get out and chase your dreams, live a little. We only have a short time on this earth to make an impact. I choose to make a positive one and encourage others to do the same. I am an advocate for positive mental attitude and the impact it can have.

2. Who is your biggest influence in the music world? My biggest influence, and I know this sounds cliche,is Insane Clown Posse. I’ve been through some dark times over the years and listening to their music has helped me overcome. Another little side note. The very first Joker’s card I ever listened to was The Great Milenko,which just so happens to be an illusionist. Coincidence? I call it fate.

3. Tell me a little bit about your music and its meaning to you.
My music is like therapy for me. It’s my way of escaping the pains and nuiances of life. My song Painkiller is a very real story of how I overcame suicide in my life and my way of reaching out to people and telling them there’s a better way. Most of my other songs are horror related simply because that’s something I’ve always enjoyed and has always been what I write best. Wicked Monster Killa is a journey through different realms as I kill off some of the biggest horror & creature movie icons of all time. It was fun taking a different approach to horror in music. To me the best thing in the underground is the rise of tremendous talent as well as the station Underground Wicked Radio. What Snickerz has done is given artists that people may not have heard of and providing them an outlet to get their names and their music out there. That is a positive for the underground community.

4. What do you feel is the best thing happening right now in the underground music world?

5.  What do you feel is the worst thing happening right now in the underground music world?
I’ll keep this one short and too the point. While the underground is at its highest point one of the major disappointments to me is that not enough people are helping each other out. People are too quick to bash & tear each other down rather than realize we are all in this together. If more artists were to help each other out instead of trying to tear each other apart then the underground would be the better for it.

6. Terror Hour is a new show that Dj Snickerz & Dj Crook are allowing me to put on Underground Wicked Radio. I came up with the idea to create a show once a month dedicated entirely to horror and paranormal related topics. In our genre of music I know most of us are into some crazy shit like that and Terror Hour can help give the underground artists something different to talk about other than just their music. Help them to show more of their personalities & also help listeners and fans to learn something new. We hope to get some big names in the field of paranormal investigation on for interviews at some point and also have experiences of our own to discuss as well as favorite horror movies to talk about. There’s never a shortage of topics to discuss. We debut our first episode Halloween night from 8-10 pm est & will have some very special guests coming on & calling in. Some are even calling live from Hallowicked in Detroit. Terror Hour will be fresh as hell and people shouldn’t miss it.

Illusionizt FaceBook

 

 

I would like to thank you for taking time out to read this. And check out UNDERGROUND WICKED RADIO

Whoop Whoop

Insane Clown Posse’s Shaggy 2 Dope Talks ‘Marvelous Missing Link,’ FBI Lawsuit + Wrestling

Psychopathic Records
Psychopathic Records

Insane Clown Posse are back on the road this fall, sharing stages with P.O.D. as part of their Marvelous Missing Link tour. The band is supporting their latest Joker Card record, Marvelous Missing Link, which yielded a two-part release titled Lost and Found.

Loudwire had a chance to chat with Shaggy 2 Dope about their latest musical project, their current tour and also got into the ongoing lawsuit with the FBI over the classification of their Juggalo fanbase as a gang. Check out the chat in full below.

Marvelous Missing Link is one of the more involved projects that you’ve done. Did you have an idea of what you wanted to do going into that? Did the themes present themselves as you went into recording?

Whenever I record one of our Joker Card records, it’s always presented to us. Of course we have control over what we do. But the ideas are pretty much handed to us. Not by just some guy. But it’s really like we don’t have, like right now there is nothing coming to us right now for the next Joker Card. I have no idea what it is going to be, nothing. No name, face, anything, you know. But it will come to us. We’ll be ready to record.

As far as this one goes, you know, cause usually when we record records, we want to do them super duper quality, and kind of like Dre producing. Like everything full and surround. But with The Missing Link, we just wanted to get dirty with it. We lined up doubles up so much. The recording process was a little bit faster because we wanted to be so meticulous with everything. What we did was we recorded the first one and we were like, “This isn’t done, but it’s only one record.” We didn’t want to put out two records, a double record, I mean. So this is what is going to happen. It came to us. We were going to do Lost and then three months later, we were going to release Found.

Basically what Lost is, it’s a more down record. It’s a bring you down record. It’s harder beats. It’s more f–ked up subject matter, you know. And then what Found is, it is more uplifting and it is more lighter s–t. So basically, Lost is what you are doing when you are lost in life. You don’t have no hope. You don’t have no outlook. As whereas Found is now that you have found, everything is gravy. Everything is good.

That’s got to be a fun project to do.

Yeah it worked a lot better. Something similar we did with Shangri La. With that record we did Shangri La first which was great. Our lives were better at that time. As soon as we started recording Hell’s Pit, it’s crazy cause our mindsets just turned dark. Even our personal life during that record, things were getting all f–ked up and s–t. It took a while to bounce back from that. And that was also a record that we are like very intricate and tweaking every high hat. But with this we started out with the Lost record. And it did bring us down but we got back with Found you know.

A favorite song or lyric that stands out to you?

Not to me man. It’s like asking me what my favorite kid is. Everything we do I love. And for everything that we don’t love so much, like our B-side records, we’re just crazy because we come out with those thinking that well you know it’s not because they won’t make it on the record. Then we put out a decent song and people are like, “Oh this song, this song, this song!” Damn, we’ll just listen to it and maybe it could have been a cut on the record. But the records are how they are supposed to be as they are. If they were any different then you know that’s it. It just wasn’t meant to be on there you know.

At this point you’ve been around and have amassed a pretty sizable catalog. When you’re recording do you think, where might this fit in in our live show?

No not really. You know it’s weird because like when we first started out when we very first started out, we kind of used to do that. But when we first started out, we were pretty much banned from the radio and stuff. We would like purposely try to make a song for the radio. Like no cursing, would try to make a more friendly subject matter. But of course we never got radio play. Now, we just record what you’re feeling and some songs get on it. Some songs we listen to and think, this would go over great live and we do it live and it doesn’t. It’s hard to tell with that. As far as when we record it, we don’t get when we record it for doing it live, you know? But some songs turn out where you’re like, holy s–t, this is going to be great live.

The Marvelous Missing Link tour is taking place this fall. Can you talk about what fans can expect? How much of the newer music is driving the show?

We’re doing pretty much a whole new show. This show is a lot different than we usually do. It does have a lot of the classics on there, but it does have more new songs than we usually do. We’ve been on the road only for a week and a half now, but the new songs we’re doing everybody is liking a lot. If there is someone out there that doesn’t like coming to see the new stuff, it’s not all new stuff. There’s still all our classic stuff in there as well. It boils down to this too, a lot of people who aren’t Juggalos who may like ICP a little bit or even a little curious about it. They never want to come to our shows because they think it’s going to be rowdy and f–ked up because there’s Juggalos. I’ll tell you what, man. It’s all love. If you’re in the least apprehensive about coming out, because you’re shook, come out and you’ll see. Not only are you going to get a great show but you’re going to be surrounded by great people as well.

I’m not familiar with the band’s whole touring history, but I know you guys are touring with P.O.D. this fall. Is there any history there with that band?

Nah, I’m not sure how we contacted them but they’re cool guys. We were like, let’s do this s–t. They put on a great show. Their music is great. So yeah, we got them, we got from the Netherlands these guys called Dope D.O.D., then we got our guy Psychopathic Young Wicked. Then we got DJ Paul as well from the Three Six Mafia.

I see your lawsuit with the FBI about the Juggalos having a gang classification has been reversed by the court of appeals.

Yeah, it’s pretty cool man. The thing is, personally, that’s f–king great and we’re hoping for the best and we’re not going to stop fighting no matter what. But we just don’t get our hopes up too much because of what happened last time getting thrown out. Even if it does get thrown out again, we’re going to find a way to keep it going. We’re just hoping for the best. It’ll be so great to get that s–t eradicated.

The first time I heard that story I thought how odd it was that the Juggalos would be on such a list, but I admire your commitment to what you’ve done. Can you talk about some of the more interesting findings when you started investigating how the fanbase was being treated?

It was crazy, man. At first when we heard about it, it was like oh that’s cool, whatever, not thinking long term how it would affect anybody. Oh OK, somehow we’re big gang members, a’ight whatever. Kind of brushed it off. But then we started hearing about all the repercussions, not only for Psychopathic personalities, but Hot Topic doesn’t carry us anymore, merchandise, a lot of stores don’t carry merch. On top of that, kids that are rocking Psychopathic anything with a hatchet man on it, not all over America but cities around America you can get arrested for that. There are guys that have Hatchet Man tattoos who are in the army that are getting kicked out of the army. There are people who are losing custody cases over it. There’s people that because they’re wearing a Psychopathic shirt, and they get pulled over for speeding and they run their s–t and see them wearing a Psychopathic shirt and they’re now in the gang file. That means if they get pinched with even a joint in their pocket, they’re punishment will be 10 times more severe because they’re now considered to be in a gang. It’s crazy.

We go to stores for meet and greets and there’s like, lawyers and doctors coming through. Police who are Juggalos coming through, every walk of life we meet. Two-year old-kids with their parents from a great family and somehow just because they’re wearing a hatchet man shirt and saying they claim to be a Juggalo they’re all of a sudden in a f–king gangs like MS 13 or a Blood or something? That’s insane. We can’t wrap our head around it. We don’t understand how that can be, it’s so crazy to us. I can go on for days how incomprehensible that is for us.

We’re just like, well what can we do? That’s the only thing we can do. We’re not just going to sit back and let that s–t happen. We’re the only ones that can do something about it. We’re not going to sit back and just let kids get punished for rocking our s–t. Kids get punished for listening to our music, for representing I guess a subculture of people. That’s f–king insane. We’re not going to just sit back and take it up the ass like that.

You guys didn’t necessarily have to do anything, but you did. You went to bat for your fans. What are some of the reactions you’ve heard back from the fans since you rallied and came to their defense?

It’s all good. No one has anything bad to say about it, people are happy about it. Whatever we can do to help, we’re doing everything in our power. We’re trying. It’s expensive and it takes a very long time. It’s like f—ing draining all of our bank accounts, but we don’t give a f–k. We have to get off that list, that’s the bottom line.

I wanted to ask what it’s been like to see the Gathering of the Juggalos event grow over the years.

We didn’t know what it was going to turn into when we first did it. We did it and originally we did it at a convention center. You didn’t need a hotel or nothing. We didn’t know what we were doing or what it was supposed to be. We didn’t know where it was going to go or nothing. We were like, “OK we put out a big mega show the whole weekend,” then next we’re like we need to do it again. So we found a hotel and a convention center this time in Toledo and that s–t popped off crazy good, so the next year we’re like, “OK let’s just start moving this around once a year.” Then, eventually, it started getting so big, and, there’s a circuit almost of convention centers. People that run convention centers talk to other convention centers around America. So we got banned from convention centers, just from kids putting stickers on escalators. Nothing big.

We were stuck with what do what do now? We’re like, “How about a campground?” Nelson Ledges was the first campground we went to and we’re like, “Why didn’t we think of this before? This is f–king great.” That first point, we weren’t looking at it like a festival. We were looking at it as a gathering of people. Then over the years it turned into a festival, which it is. We lose our ass every year on that, because we don’t have any corporate sponsors or nothing. So we lose our asse every f–king year. But it’s what we do, [laughs] we lose a lot of money on a lot of s–t we do. But the money what we do make, we put back into the endeavors we f–king lose on.

Such interesting lineups with artists from all different walks. Is there a dream must-get for the Gathering? Someone you’d love to have that hasn’t been on the Gathering yet.

There are a lot but some people are afraid to play it. Some people just straight up hate us and don’t want to play it. My favorite is the “f–k you price” — when you got someone to play it and sends you the most ridiculous number in the world like you’re actually going to pay it. Like a quarter of a million dollars or something to play an hour set, that’s what we call a “f–k you” price. One person I’d really like to have play, me personally is Sir Mix A Lot. The problem is, he doesn’t fly. To get him to drive from Seattle all the way to Ohio for a one off show is not happening. I would love to see Mix A Lot, I think that would be great.

I know you guys have pretty extensive history and a love for wrestling. I’d like to know what wrestlers first inspired you and what made you want to give that a shot?

Just growing up watching it, I don’t think there was one in particular. Everyone has their favorite, but I don’t think there was anyone wrestler. When I was a little kid, I was overtime into it. Even before, I knew Bon and Shea. We met when I was 10 or 11 years old, so when we met, it was crazy. I think we bonded over our love of wrestling I think first and foremost. We used to go to Joe Louis Arena that was downtown Detroit and wait out back for the Wrestlers when I was 11, 12 years old. It snowballed from there. I’ll always be a Hulkamaniac, no question. I know he’s said his s–t, whatever the f–k, but that’s so hard for me to swallow. It sucks he did that, man, I really wish he didn’t. It makes it real hard to be a Hulkamaniac. I’m hoping something happens where he redeems himself. As a matter of fact, yesterday we were in Tampa and we went to his restaurant but it was closed down yesterday. You couldn’t even tell it was a Hulk Hogan restaurant.

Favorite wrestling moment from getting a chance to do that?

Oh from mine? F–k. I don’t know. You caught me on that one, there have been so many. I miss wrestling still, but I don’t know what my favorite moment is. I’ve got so many of them. I miss actually being in the ring. My back’s all f—ed up and I broke my neck a few times. Crazy s–t. I’m still involved, I do commentary and s–t. But what I don’t miss is all the backstage politics and s–t. It gets a little crazy in the locker room. That I don’t miss but I miss being in the actual ring.

Anything on the horizon that you want to promote that we haven’t talked about?

Yeah, we’ve got Psychopathic coming out. Young Wicked is out right now, DJ Paul’s record is coming out. Go get that s–t. Like I was saying, if you’re at least a little curious come and check the f–king show out. You’re not going to regret that you did. Don’t be scared to come. Don’t let reputations proceed what they are. You’re going to be like, “Holy s–t, those boys are off the hook.”

Our thanks to Insane Clown Posse’s Shaggy 2 Dope for the interview. The Marvelous Missing Link: Lost and Found records are both available now. Check Amazon and iTunes here and here. Get your Insane Clown Posse tickets and catch them on tour at these locations.

 

Twiztid – A Place In The Woods Official Music Video (Sickman Video Sequel)

 

Twiztid A Place In The Woods Official Music Video. This video is the sequel to the SICKMAN Official Music Video seen here –https://www.youtube.com/watch?v=tVQk1…

Purchase The Darkness:
Exclusive bundles & merchandise: www.Twiztid-Shop.com
Amazon: http://www.amazon.com/Darkness-Twizti…
iTunes: https://itunes.apple.com/us/album/the…

Twiztid is an American hip hop duo from Detroit, Michigan. Formed in 1997, Twiztid is composed of Jamie Spaniolo and Paul Methric, who perform under the respective personas of Jamie Madrox and Monoxide Child. Spaniolo and Methric are former members of the group House of Krazees, which disbanded in 1997.

Keep up with The Demented Duo:
www.Twitter.com/TweetMeSoHard
www.Instagram.com/OfficialTwiztid
www.Facebook.com/Twiztid
www.Twiztid.com

Strange Music Shows Out at the World Series

 

Sometimes things just happen #WorldSeries

A photo posted by richieabbott (@richieabbott) on

 

The New York Mets and Kansas City Royals kicked off the World Series last night in a game that brought extra innings and a slew of bizarre moments. At one point the telecast dropped, the very first batter hit an inside the park home run, and a cast of characters was spotted throughout Kansas City’s Kauffman Stadium. Fans keeping an eye on the crowd may have noticed this woman along the first baseline, as well as, Tech N9ne and his Strange Music team behind home base.

The Royals are playing in their second consecutive World Series, opening up the Fall Classic at home and Tech N9ne, Krizz Kaliko and Travis O’Guin were all on hand to root on the hometown team. The Royals wound up winning Game 1 in 14 innings, with the Strange Music logo visible behind homeplate for a majority of the duration.

In an interview, Tech N9ne said, “This is a worldwide stage and it makes me want to push even harder with what we’re doing at Strange Music.”

Game 2 will be played tonight at 8:07 p.m. also in Kansas City. The Royals are searching for their first World Series title since 1985, while the Mets last won it all in 1986.

 

HAPPY 21st Birthday to my only son! Lets go bro! I love you! @dontezyates

A video posted by @therealtechn9ne on

 

SWAG TOOF – CORNERS [Prod. ROZZ DYLIAMS]

Swag Toof’s exclusive remix of ICP’s “Wagon Wagon” from their mixtape “TOOFGANG & PALZ 2”
Song will be public at the following link at noon Thursday 10/29

SWAG TOOF – CORNERS: https://soundcloud.com/swagtoof/swag-toof-corners-prod-dylan-ross/s-actUo

The Mixtape will be live Friday 10/30 @ swagtoof.bandcamp.com

 

https://soundcloud.com/swagtoof/swag-toof-corners-prod-dylan-ross/s-actUo

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